Celebrated for her “terrifying dynamic range,” cleanliness of sound, as well as unique sensitivity and ability to sculpt her performance for the acoustics of a space, Elizabeth A. Baker is a dramatic performer with an honest, near psychic connection to music, which resounds with audiences of all ages and musical backgrounds. As a creator, her understanding of sonic space from organic intuition and studies in music production, pair with a unique eclectic voice, making for a spatial and auditory experience of music. Eschewing the collection of traditional titles that describe single elements of her body of work, Elizabeth refers to herself as a “New Renaissance Artist” that embraces a constant stream of change and rebirth in practice, which expands into a variety of media, chiefly an exploration of how sonic and spatial worlds can be manipulated to personify a variety of philosophies and principles both tangible as well as intangible.
An active performer highly sought after for her unique concert presentation methods, which break the fourth wall and draw the audience further into the music by asking them to listen beyond the surface through interactive dialogue, reminding them that there is no such thing as an incorrect interpretation of a work. Elizabeth firmly believes that every person will encounter music in a unique manner because each person comes from a different set of cultural norms, life experiences, and even the way they physically hear can be a factor to consider when seeking to relate with a work. Her solo performances have featured engagements at Lamar University (Beaumont, TX), Flying Monkey Arts Collective (Huntsville, AL), Eyedrum (Atlanta, GA), Southern Methodist University (Dallas, TX), Georgia Museum of Art (Athens, GA), Spectrum (NYC) and the Good Shepherd Chapel (Seattle, WA).
Emmy-award winning composer Larry Groupé has referred to her works as “Perfect.” and compared one of her early works to Debussy’s Engulfed Cathedral. Elizabeth’s works have been featured by Composers Circle, FIVE by FIVE, TEDxYouthTampaBay, Tampa Mini Makers Faire, Orlando Mini Makers Faire, as well as at the 2014 Electronic Music Midwest Festival and the 19th International Festival of Women Composers. Her compositions have been studied in academic institutions throughout the United States including USC-Thornton and the University of Georgia – Athens.
Elizabeth is author of Toyager: A Toy Piano Method, the first comprehensive instructional book for toy piano, featuring principles of technique, practice strategies, music notation, as well as improvisational tactics. Additional books include a multimedia collection of writings and photographs called Musings of a Young Composer and Compositions for the Contemporary Student Pianist, an anthology of solo piano pieces
Elizabeth is Founder and Executive Director of The New Music Conflagration, Inc., a 501(c)(3) nonprofit and 509(a)(2) public charity founded in the State of Florida to promote the work of contemporary composers and musicians. She is also, Founder and Director of the Florida International Toy Piano Festival.